| |
|
|
|
www.magazineinsitu.com |
|
|
| |
|
|
WHAT
It
produces eventual spaces offered to the investigation and the
production of specific situations. It involves diverse locations,
cities and communicational circuits and investigates strategies
of non standard and economically possible production/presentation.
It is a platform focused in re-examining certain postulates of
the vanguards respect to the relation art-society. Their collaborators,
artists, curators, theorists, activists produce mainly interdisciplinary
practices.
• it´s a publication like discussion and performance,
an expanded concept of magazine.
• dialogues among different scenarios, essays, artists and
projects. A deviation from the standard of the presentations and
formats. It unfolds a web document archive that is being made
up as a second version of the live presentations.
• processes the conflicts arisen by the minimum displacements
of the known language to intermediate states.
•
this
resource allows investigating the interstitial space and in permanent
redefinition of the practices and artistic devices, emphasizing
the procesual character and synchronize the relations between:
artistic practice and theoretical reflection.
•
It presents real situations, in situ project, essays, audio-visual
pieces, performances and readings among others. It unfolds in
two phases: live, to be built, heard and seen and on the web,
to be broadcast on it.
• As a live device, it emphasizes its representational dimension
when it gets involved in the settings, cities and different communication
circuits.
• Its purpose is to generate in situ experiences in strategic
places of in-progress intercultural flow and reflux, towards new
ways of articulation and dialogue among ‘everyday life-thinking-art”.
• It makes the classifications and categories of nationality,
region, artistic genders, etc more complex, presenting skills
that invite us to undo the rule and narrative pathway, parameters
that still today stiffen the Universe of Arts. In this way, it
offers its contributors the possibility of editing or co-editing
the upcoming presentations.
|
|
|
| |
|
|
WHEN
WHERE
E7: Flows!! Capital´s
Flows ::2008/2010
( Rotterdam,
Quito, Sao Paulo,
Bilbao, Beirut, Buenos Aires, London, Reggio Emilia, Montevideo)
E6 :: The Paradigm
Confines Tour :: 2007 / Barracuda Boat / on travel
for the Beagle Channel / The End of the World Biennial / Ushuaia
- Patagonia
E5 :: Mise en scène: an aprouch
to the institutions :: 2006 / Fundación de Arte Contemporáneo
/ Montevideo
E4 :: Interferences :: /2006 /
ArteBA / Buenos Aires
E3 :: Backstage :: 2005 / Puerto de Buenos
Aires / Estudio Abierto / Buenos Aires
E2 :: Re-view Spaces and Limits ::
2004 / CCEBA - Centro Cultural de España / Buenos Aires
E1 :: Re-view Spaces and Limits ::
2004 / CCEBA - Centro Cultural de España / Buenos Aires
WHO
Concept and developing: Alicia
Herrero
Co-publisher:
E7: María
Fernanda Cartagena, curator and critic (Quito), Karina Granieri,
curator and artist, (Buenos Aires), Rana Hamadeh, artist (Amsterdam/Beirut),
Alicia Herrero, artist, (Buenos Aires/Rotterdam), Miren Jaio,
critic (Bilbao), Daniela Swarovsky, curator djs, (Rotterdam).
E6:: Alicia Herrero
E5: (U/USA) and Alicia Herrero (A).
E4: (A) - (U) - (U).
E2: Alicia Herrero (A)
E1: Alicia Herrero (A)
Contributions by: Javier Abrew (U) - Enrique Aguerre (U) - Francis
Alÿs (B/M) - Enrique Ariman (I/A) - Joaquín Barriendos
(ME) - Ricardo Basbaum (BR)- Francisco Ali Brouchoud (A) - Clio
Bugel (U) - Bill Burns (CA) - Luis Camnitzer (U/USA) - Alejandro
Cesarco (U/USA) - Rafael Cippolini (A) - Carolina Comas (U) -
Raimond Chaves (E/C/P) - Mirtha Dermisache (A) – Guy Debord
(F) - Mara Facchín (A) - Leòn Ferrari (A) - Christian
Ferrer (A) - Andrea Fraser (USA) - Belén Gache (A) - Jaime
Iregui (CO) - Miren Jaio (E) – Jacqueline Lacasa (U) –
Gilda Mantilla (P) - Diego Melero (A) - Juan Molina y Vedia (A)
- Antoni Muntadas (E/USA) - M7red (A) – Margarita Paksa
(A) - Olivia Plender (UK) - José Roca (CO )- Suelly Rolnik
(BR) - Gustavo Romano (A) - Juliana Rosales (U) - Paula Rial (U)
- Rirkrit Tiravanija (A/T/USA) - Transnational Republic (D) -
Robert Smithson (USA) - Dani Umpi (U) – Roberto Unterladstaetter
(BO) – René Viénet (F) – Horacio Zabala
(A) - Carla Zaccagnini (BR . Concept :
MIS was presented in:
Lecture Becoming Dutch, november 2007, Van Abbemuseu, Eindhoven
- Insa Art Space of the Arts Council Korea
/ november /2006 /Seoul,
Korea
05982:01, July/2006, Fundación de Arte Contemporáneo,
Montevideo.
Living Room, Cultura y Media, 20-30 /august/2006, Centro
Cultural San Martín, Buenos Aires
The Agnostic and the Contemporary/10-17/ october /2006
/AK28, Stockholm, Sweden
Dialogic process: Magazine in Situ/24/ october/ 2006/video
-paper + conference/Centro Cultural de España, Montevideo.
Complex process of links/9 /november/ 2006 /video-paper
+ conference/2# Jornadas universitarias de Creación y Nuevos
Medios Universidad de Palermo/Buenos Aires
Collaborating Institutions and organizations:
CCEBA / Centro Cultural de España en Buenos Aires
Biennial The End of the Work, Argentina.
Estudio Abierto /Secretaría de Cultura / Ciudad Autónoma
de Buenos Aires
Untref / Universidad de Tres de Febrero
fac / Fundación de Arte Contemporáneo
Autoskola/ Bilbao
Collectivo Sototettto/ Reggio Emilia
electronic adress::
www.magazineinsitu.com
info@magazineinsite.com
metropolitan adress:
Pedro Echagüe 1716 (1130)
Ciudad Autónoma de Buenos Aires.
|
|
|
| |
|
|
|
|
|
|
|
|
